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The Social History of Smoking

George Latimer Apperson

Chapter 14:

Although probably the conduct of the Codrington parishioners was unusual, it is certain that in the seventeenth century smoking at meetings held, not in the church itself, but in the vestry, was common. The churchwardens' accounts of St. Mary, Leicester, 1665-6, record the expenditure—"In beer and tobacco from first to last 7s. 10d." In those of St. Alphege, London Wall, for 1671, there are the entries—"For Pipes and Tobaccoe in the Vestry 2s.," and "For a grosse of pipes at severall times 2s." In the next century, however, the practice was modified. The St. Alphege accounts for 1739 have the entry—"Ordered that there be no Smoaking nor Drinking for the future in the Vestry Room during the time business is doing on pain of forfeiting one shilling, Assention Day excepted." From this it would seem fair to infer (1) that there was no objection to the lighting of pipes in the vestry after the business of the meeting had been transacted; and (2) that on Ascension Day for some inscrutable reason there was no prohibition at all of "Smoaking and Drinking."

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The Social History of Smoking

George Latimer Apperson

Chapter 15:

The highlander, as he existed within living memory at many shop doors, and as he still exists at a few, was and is the survivor of many similar wooden figures as trade signs. The wooden figure of a negro or "Indian" with gilt loin-cloth and feathered head, has already been mentioned as an old tobacconist's sign. In early Georgian days a tobacconist named John Bowden, who dealt in all kinds of snuff, and also in "Aloe, Pigtail, and Wild Tobacco; with all sorts of perfumer's goods, wholesale and retail," traded at the sign of "The Highlander and Black Boy" in Threadneedle Street, London. At York, in this present year, 1914, I came upon a brightly painted wooden figure of Napoleon in full uniform and snuff-box in hand, standing at the door of a small tobacco-shop. Another class of sign or emblem was represented by the "wooden midshipman," which many of us have seen in Leadenhall Street, and which Dickens made famous in "Dombey and Son." Sometimes the wooden figure of a sailor stood outside public-houses with such signs as "The Jolly Sailor"; and a black doll was long a familiar token of the loathly shop kept by the tradesmen mysteriously known as Marine Store Dealers. Images of this kind sometimes stood at the door, or in many cases were placed on brackets or swung from the lintels.

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