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The Social History of Smoking

George Latimer Apperson

Chapter 7:

Throughout the eighteenth century the use of tobacco for smoking was largely confined to the middle and humbler classes of society. To smoke was characteristic of the "cit," of the country squire, of the clergy (especially of the country parsons), and of those of lower social status. But at the same time it must be borne in mind that then, as since, the dictates of fashion and the conventions of society were little regarded by many artists and men of letters.

In the preceding chapter I quoted from Addison's diary of a retired tradesman in the Spectator of 1712. The periodical publications of a generation or so later paid the great essayist the flattery of imitation in this respect as in others. In the Connoisseur of George Colman and Bonnell Thornton, for instance, there is, in 1754, the description of a citizen's Sunday. The good man, having sent his family to church in the morning, goes off himself to Mother Redcap's, a favourite tavern—suburban in those days—or house of call for City tradesmen. There he smokes half a pipe and drinks a pint of ale. In the evening at another tavern he smokes a pipe and drinks two pints of cider, winding up the inane day at his club, where he smokes three pipes before coming home at twelve to go to bed and sleep soundly.

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The Social History of Smoking

George Latimer Apperson

Chapter 11:

Among the chief strongholds of the old ideas and prejudices were some of the clubs. At the Athenæum the only smoking-room used to be a combined billiard-and smoking-room in the basement. It was but a few years ago that an attic story was added to the building, and smokers can now reach more comfortable quarters by means of a lift put in when the alterations were made in 1900. This new smoking-room is a very handsome, largely book-lined apartment. At the end of the room is a beautiful marble mantelpiece of late eighteenth century Italian work. At White's even cigars had not been allowed at all until 1845; and when, in 1866, some of the younger members wished to be allowed to smoke in the drawing-room, there was much perturbation, the older members bitterly opposing the proposal. "A general meeting was held to decide the question," says Mr. Ralph Nevill, in his "London Clubs," "when a number of old gentlemen who had not been seen in the club for years made their appearance, stoutly determined to resist the proposed desecration. 'Where do all these old fossils come from?' inquired a member. 'From Kensal Green,' was Mr. Alfred Montgomery's reply. 'Their hearses, I understand, are waiting to take them back there.'" The motion for the extension of the facilities for smoking was defeated by a majority of twenty-three votes, and as an indirect result the Marlborough Club was founded. The late King Edward, at that time Prince of Wales, is said to have sympathized strongly with the defeated minority at White's, and to have interested himself in the foundation of the Marlborough; where, "for the first time in the history of West End Clubland, smoking, except in the dining-room, was everywhere allowed." By "smoking" is no doubt here meant everything but pipes, which were not considered gentlemanly even at the Garrick Club at the beginning of the present century. The late Duc d'Aumale was a social pioneer in pipe-smoking. His caricature in "Vanity Fair" represents him with a pipe in his mouth, although he is wearing an opera-hat, black frock-coat buttoned up, and a cloak.

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