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The Social History of Smoking

George Latimer Apperson

Chapter 12:

At a few clubs there are still some curious and rather unmeaning restrictions. A particularly absurd rule that maintains its ground here and there, is that which forbids smoking in the library of a club. What more appropriate place could there be for the thoughtful consumption of tobacco than among the books? But after due allowance has been made for a few minor restrictions of this kind, the fact remains that smoking has triumphed socially all along the line in Clubland. We have travelled far from the days when a committee man could declare that "No Gentleman smoked," to the time when, for example, the large smoking-room at Brooks's is one of the finest rooms in one of the most famous and exclusive of clubs. This splendid room in the eighteenth-century days of gambling was the "Grand Subscription Room"—the gambling room of Georgian times. It still retains two of the old gaming tables. Now this magnificent apartment, with its splendid barrelled ceiling, which a well-known architectural writer, Mr. Stanley C. Ramsey, A.R.I.B.A., describes as "probably the finest room of its kind in London," is the temple of Saint Nicotine. The strangers' smoking-room in the same club, formerly the dining-room, is another beautiful and delightfully decorated apartment. Similar transformations have been witnessed in other clubs.

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The Social History of Smoking

George Latimer Apperson

Chapter 11:

Thirty years or more ago the late Andrew Lang wrote an article entitled "Enchanted Cigarettes," which began-"To dream our literary projects, Balzac says, is like 'smoking enchanted cigarettes,' but when we try to tackle our projects, to make them real, the enchantment disappears-we have to till the soil, to sow the weed, to gather the leaves, and then the cigarettes must be manufactured, while there may be no market for them after all. Probably most people have enjoyed the fragrance of these cigarettes and have brooded over much which they will never put on paper. Here are some of 'the ashes of the weeds of my delight'-memories of romances whereof no single line is written, or is likely to be written." What Balzac said in his "La Cousine Bette" was-"Penser, rêver, concevoir de belles œuvres est une occupation délicieuse. C'est fumer des cigares enchantés, c'est mener la vie de la courtisane occupée à sa fantaisie." Balzac's cigars became cigarettes in Lang's fantasy. The French novelist seems to have been one of those who praised tobacco without using it much himself. In his "Illusions Perdues" Carlos Herrera, who was Vautrin, says to Lucien, whom he meets on the point of suicide: "Dieu nous a donné le tabac pour endormir nos passions et nos douleurs." M.A. Le Breton, however, in his book on Balzac-"L'Homme et L'Œuvre"-says: "Il ne se soutient qu'à force de café," though he would sit working at his desk for twenty-five hours running.

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