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The Social History of Smoking

George Latimer Apperson

Chapter 8:

Another famous parson, the Rev. John Newton, was a smoker, and so was Cowper's other clerical friend, that learned and able Dissenter, the Rev. William Bull, whose whole mien and bearing were so dignified that on two occasions he was mistaken for a bishop. Cowper appreciated snuff, but did not care for smoking, and when he wrote to Unwin, describing his new-made friend in terms of admiration, he concluded—"Such a man is Mr. Bull. But—he smokes tobacco. Nothing is perfection 'Nihil est ab omni parte beatum.'" Bull, however, was not excessive in his smoking, for his daily allowance was but three pipes. In his garden at Newport Pagnell, Bull showed Cowper a nook in which he had placed a bench, where he said he found it very refreshing to smoke his pipe and meditate. "Here he sits," wrote Cowper, "with his back against one brick wall, and his nose against another, which must, you know, be very refreshing, and greatly assist meditation."

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The Social History of Smoking

George Latimer Apperson

Chapter 13:

The ballads of the period abound in rough woodcuts in which tavern scenes are often figured, wherein pewter pots and tobacco-pipes are shown lying on the table or in the hands or at the mouths of the male carousers. Men and women are figured together, but it would be very hard to find a woman in one of these rough cuts with a pipe in her hand or at her mouth. An example, in the "Shirburn Ballads" lies before me. The cut, which is very rough, heads a bacchanalian ballad characteristic of the Elizabethan period, called "A Knotte of Good Fellows," and beginning:

Come hither, mine host, come hither!
Come hither, mine host, come hither!
I pray thee, mine host,
Give us a pot and a tost,
And let us drinke all together.

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