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The Social History of Smoking

George Latimer Apperson

Chapter 12:

Tobacco is once more triumphant. The cycle of three hundred years is complete. Since the early decades of the seventeenth century, smoking has never been so generally practised nor so smiled upon by fashion as it is at the present time. Men in their attitude towards tobacco have always been divisible into three classes—those who respected and followed and obeyed the conventions of society and the dictates of fashion, and smoked or did not smoke in accordance therewith; those who knew those conventions but disregarded them and smoked as and what they pleased; and those who neither knew nor cared whether such conventions existed, or what fashion might say, but smoked as and what, and when and where they pleased. At the present time the three classes tend to combine into one. There are, it is true, a few conventions and restrictions left; but they are not very strong, and will probably disappear one of these days. There is also, of course, and always has been, a fourth class of men, who for one reason or another, quite apart from what fashion may say or do, do not smoke at all.

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The Social History of Smoking

George Latimer Apperson

Chapter 15:

Notwithstanding the few examples given above, tobacconists, more than most tradesmen, seem to have continued to use signs that had at least some relevance to their trade. Abel Drugger was a "tobacco-man," i.e. a tobacco-seller in Ben Jonson's play of "The Alchemist," 1610, so that it is not very surprising to find the name used occasionally as a tobacconist's sign. Towards the end of the eighteenth century one Peter Cockburn traded as a tobacconist at the sign of the "Abel Drugger" in Fenchurch Street, and informed the public on the advertising papers in which he wrapped up his tobacco for customers that he had formerly been shopman at the Sir Roger de Coverley-a notice which has preserved the name of another tobacconist's sign borrowed from literature. Seventeenth-century London signs were the "Three Tobacco Pipes," "Two Tobacco Pipes" crossed, and "Five Tobacco Pipes." At Edinburgh in the eighteenth century there were tobacconists who used two pipes crossed, a roll of tobacco and two leaves over two crossed pipes, and a roll of tobacco and three leaves.

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